Neisha Crosland
Inlay – Intarsio (non Pietre Dure)

Inlay – Intarsio (non Pietre Dure)

Decorative inlay surfaces use a technique whereby different materials, often contrasting, are set into depressions in the substrate of the field material and then often ground flat.


The technique of inlay has been applied to wood, including traditions related to marquetry and intarsia, and to stone, marble and metal. De Ferranti can inlay into most substrates, and is able to combine mother of pearl, bone and horn, metal, wood, glass, marble, stone and semi-precious and precious materials.


Some of the items in this category have categories of their own because they belong to more specific disciplines, for example the craft of Pietre Dure. This section focuses on more contemporary interpretations of these older techniques.


Decorative Inlay Surfaces Across Materials


Inlay is compelling because pattern is created through material itself rather than applied decoration. Historically, intarsia developed the simple act of insertion into a highly sophisticated pictorial language, including perspectival interiors in Renaissance Italy. In contemporary interiors, the same logic can produce a fine line of brass in dark stone, a shell or ceramic insert, a semi-precious accent, or a complete patterned panel.


De Ferranti’s decorative inlay surfaces range from restrained geometric tiles and borders to more elaborate floral, arabesque and figurative compositions. For related specialist disciplines, explore Pietre Dure / Pierre Dure, Shells & Mother of Pearl, Metal Floor & Wall Tiles and Inlaid Timber Briquettes.


Planning Mixed-Material Inlay


Material combinations should be reviewed as complete assemblies. Colour, reflectivity, joint width, pattern repeat, edge treatment and the relationship between field and inserted material can all change how an inlaid surface reads. Samples are particularly useful where polished stone, shell, metal or glass respond differently to daylight and artificial light. Confirm the intended application, substrate, finish and maintenance requirements before specification.


Project Guidance and Enquiries


For project guidance, availability, pricing, samples or further information, please contact us. Your enquiry will come directly to De Ferranti, and we will be pleased to discuss suitability, quantities, lead times and options for your project.

Agate Leaf Wave Inlay Panel
Amoeba Metal Inlaid Tile
Babylon Black Undulating Inlay Border (#2)
Babylon Carpet – Black Stone Inlay with Coco Shell Coin Insets
Big Cat – Jaguar
Big Cat – Leopard
Big Cat – Lynx
Big Cat – Tiger
Campione di Fiore
Crude Inlay Knot Tile – Black and White Geometric
Dove Burl Grey Marble Inlay with Black Micro Mosaic
El Jem Peacock Plume Inlay Panel – Semi-Precious on Ivory Marble
Fleur de Lys Inlaid Monochrome Repeat Hexagonal Tiles
Fleur de Lys Inlaid Polychrome Repeat Hexagonal Tiles
Floral Cabochon in Black Marble, Yellow Sandstone and Brass
Iznik-Inspired Ceramic Inlay in Marble
Iznik-Inspired Ceramic Inlay in Marble – Turquoise and Cobalt
Lapis and Jasper Eye Quatrefoil Inlay Panel
Naïve Vine Opus Sectile with Inlay Panel (mod A.55300009)
Noir Blanc Ottoman Repeat Coco Inlay Panel
Noir Blanc Rosette Inlay Tile – White Marble & Nero Field
Petal Metal Inlay Panel
Pinwheel Blue Ceramic into Black Limestone Tile
Pinwheel Brass into Black Limestone Tile
Pinwheel Brass into Sandstone Tile
Rosette Inlay Mosaic – Sodalite, White Marble and Giallo Siena
Roundel Lattice Inlay Tile
Saffron Arabesque Inlay Tile
Sandcast Brass Cabochon Inlay in Black Limestone
Sandcast Copper Inlay Windmill Tile
Sandstone and Brass Cabochon with Black Limestone
Smalti Tear Inlay Panel
Smalti Tear Inlay Panel (section)
Stella Esagonale
Taurus Rondelle
Uccello Azteco Inlay
Valentia Hex Inlay – Type 1
Valentia Hex Inlay – Type 2
Verde Leaf Cross Inlay Tile – Dirty White Marble Field
Verde Ottoman Inlay Distressed
By Appointment

DE FERRANTI
South Park Studios - Suite 10
88 Peterborough Road, London SW6 3HH
United Kingdom