

A meeting with Alvaro Afonso nearly three decades ago marked the beginning of one of the most enduring creative relationships within De Ferranti. At the time, he was producing rustic handmade wall tiles, glazed floor tiles, and terracotta flooring with a warmth and authenticity that immediately distinguished his work. What began as an introduction to a ceramicist soon evolved into a long-standing dialogue around materiality, experimentation, and the enduring relevance of traditional craft.
Even within Portugal’s rich ceramic heritage, Alvaro occupies a singular position. His practice draws deeply from centuries-old methods while continuously adapting to the realities of modern production and evolving European standards. Ancient techniques remain alive within his work, not as historical imitation, but as living processes reinterpreted for contemporary architecture and interiors.


Alvaro first introduced us to the Hoffman kiln - an unforgettable encounter with the elemental nature of ceramic production. Though many aspects of the process have modernised over time, the essence of the work remains defiantly handmade. His studio continues to function as a place of testing, adjustment, and discovery, where glaze, mineral, atmosphere and temperature interact in endlessly unpredictable ways.
Over the years, Alvaro’s work has helped shape the material identity of De Ferranti itself. Each surface carries the imprint of accumulated knowledge, patient craftsmanship, and a refusal to surrender to standardisation. His tiles are not designed simply to decorate spaces, but to bring depth, tactility and permanence to architecture - materials intended to feel more human with age, not less.
