This painted angel panel, Aggelos Egg Tempura, is recorded by De Ferranti as oil and egg painted on wood, using old doors as the support. The angel detail is credited to D. Kolioussis and forms part of De Ferranti’s Iconography Collection. De Ferranti describes the artist as a rare find, skilled enough to furnish chapel walls with hand-painted icons and religious themes, make one-off panels for installation art, create whole themed rooms, and work across styles from Greek and Roman Orthodox traditions through Renaissance and Classical painting.

Painted Angel Panel and Layered Colour

The product name is retained exactly as published, while the recorded medium is oil and egg. The attraction lies in the contrast between carefully rendered iconography and an irregular aged ground. Timber tone, board joins, surface wear and interruptions remain visible, so the figure does not read as a flat reproduction. Instead, the support becomes part of the composition and gives the sacred image a materially grounded, timeworn presence.

For comparison within the range, Aggelos Blue places stronger emphasis on saturated blue, while Aggelos Giorgis offers another interpretation of the angel subject. The Gesso for Wall Panels & Furniture collection is useful when considering prepared painted grounds, while Fresco Tiles – Matt & Plaster Glazes translates the dry appearance of historic mural surfaces into ceramic.

Specifying an Icon Panel on Timber

A painted angel panel should be reviewed as an individual artwork, with its timber edges, existing wear and tonal balance considered before installation. Allow enough visual space for the figure and old-door support to be read together. Lighting should be tested on the actual surface, particularly where darker paint and aged wood sit close in tone. Final mounting, wall build-up, environmental conditions and any protective treatment should be confirmed for the intended interior.

Project Guidance and Enquiries

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