



The ground is composed of small, irregular glass pieces laid in tight formation, creating a warm, honeyed field that catches and refracts light. Against this radiant backdrop, saturated cobalt motifs unfold in scrolling symmetry – stylised tulips, palmettes and arabesques rendered in crisp contrast.
Unlike traditional Iznik ceramics, where sits within glaze, here the colour has depth. Each tessera holds light differently, producing subtle tonal shifts from burnt to golden honey, and from midnight blue to electric cobalt depending on the angle of view.
The dialogue between and blue is deliberate: warmth and coolness, glow and shadow, opulence and restraint. The irregularity of the hand-cut glass introduces movement and texture, softening the geometry and enhancing the artisanal quality.
Suitable for statement walls, panels, hammam-inspired spaces, and architectural features, this carries the spirit of Ottoman design while embracing the brilliance and tactility unique to glass.