


This black gold lustre tile from De Ferranti’s personal archive is an original ceramic work by Margery Clinton, with a dark -rich surface and fine black-gold scintillation. Its metallic character was developed through an additional firing in a reduced-oxygen atmosphere, drawing reflective depth from within the glaze rather than applying a separate finish.
The near-black and indigo ground is densely worked with , and gold-like flashes. Small pits, pooled areas and irregular transitions between deep shadow and sudden reflection give the face the character of ore, night water or weathered , while the handmade edge keeps the piece visibly ceramic.
Reduction lustre is especially sensitive to glaze chemistry, kiln atmosphere and timing. Clinton’s surviving research archive records repeated glaze tests and firing programmes, and this tile demonstrates how that disciplined experimentation could produce a surface that changes with the viewer’s position. The effect is quiet from one angle and strongly activated from another.
For related works from the same firing-led group, compare the warmer Ember tile and the restrained Nocturne tile. Elsewhere in the De Ferranti collection, the Lustre Animal Tiles place metallic lustre within the Arts and Crafts tradition, while the obsidian - -glaze-brick">E-Series Glaze Brick offers a repeatable dark metallic wall surface.
This black gold lustre tile is best assessed vertically and under the intended project lighting. A narrow, oblique beam can reveal the granular gold and notes more effectively than flat frontal illumination. Consider it as a singular object in a framed panel, deep niche, cabinet interior or protected wall detail. Any proposed bathroom, kitchen or fireplace location should be reviewed for fixing, heat, moisture and cleaning requirements before specification.
For project guidance, availability, pricing, samples or further information, please use the Send E-Mail button below this description. Your enquiry will come directly to De Ferranti, and we will be pleased to discuss suitability, quantities, lead times and options for your project.