



This Frontera tile collage brings together tiles from Palácio dos Marqueses de Fronteira, Lisbon.
Originals created by the workshops of Jan van Oort and Willem van der Kloet, Amsterdam. 17th C.
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From De Ferranti’s Portuguese Handpainted Tiles Collection
The photographed composition assembles twelve tiles into a vertical panel. Animals, birds, winged creatures and human figures move between blue-and-white scenes and brighter passages of yellow, orange and green. The changing palettes and drawing styles create the feeling of a collected ceramic cabinet rather than one continuous mural.
This format suits clients who want narrative variety without covering every surface in a single repeated pattern. Its apparent informality still requires control: colour balance, tile spacing and the distribution of dense and quiet motifs determine whether the collage feels curated or arbitrary.
For related Frontera subjects, the Jardim Tropical panel creates one continuous garden scene, while Os Gatos concentrates on a paired motif. The Delft Tile Collage offers a Dutch comparison, and the three-hares roundel introduces another compact bestiary emblem.
Approve the exact tile sequence at full scale and issue a numbered setting-out drawing. Resolve borders, returns and cut locations before production, and use quieter surrounding material so the figurative fragments remain distinct. Confirm dimensions, finish variation and intended application for the final commission. Review the arrangement in elevation.
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