



This design uses a classic Ottoman-inspired repeat of rounded, scalloped forms that lock together in a continuous band. Cut in two closely related whites, the pattern reads as texture and light rather than contrast, with the distinction revealed through subtle shifts in tone, veining and the way each stone catches shadow at the joints.
Crystal White brings a clean, luminous ground with gentle natural movement, while White Serpentine adds a slightly softer, character that enriches the field without breaking the calm. The pieces are precision cut, inlaid flush, and finished as a unified plane, making the surface feel crafted rather than assembled.
Suitable for floors, wall panels, tabletops and bespoke installations. Bordering, scaling and layout can be adapted to suit project requirements, from full-field pavements to framed panels and inserts.