
Tole work comes from the French tradition of lacquered and enamelled metalware, where humble sheet metal is transformed into something richly ornamental through layers of preparation, colour, and hand painting. It sits in that sweet spot between craft and fine art: painstaking, decorative, and designed to be lived with, not simply looked at.
The process is slow by nature. Metal is prepared, primed, and coated, then built up with lacquer or enamel finishes before the hand work begins - painted motifs, borders, trompe l’oeil effects, filigree linework, and subtle shading that gives depth and sophistication. The final result has a particular kind of brilliance: colour with a sense of polish, and pattern that feels embedded rather than applied.
De Ferranti uses tole techniques across copper, brass, iron, and tin, choosing the base metal and finish to suit the character of the scheme, from warm, classical richness to sharper contemporary contrast. The same decorative skills can also be translated onto leather, where fine painted detailing creates a delicate filigree effect with a softer, more tactile presence.
Design language is highly adaptable. Traditional motifs can lean classical or chinoiserie, echoing the historic origins of toleware, or be pushed into clean modern geometry, minimal linework, or bold graphic compositions. Because the work is executed by hand, it is also naturally bespoke - scale, palette, pattern density, and level of ornamentation can all be tuned to the architecture and the client’s taste.
Applications range from wall panels, murals, and decorative screens to furniture details, cabinet fronts, door panels, and statement inserts, offering a way to introduce narrative, colour, and artisanal refinement into interiors without relying on printed surfaces.